Glenn Seven Allen was nominated for a Helen Hayes award for Best Leading Actor for his work as Clifford Bradshaw in CABARET at Arena Stage in Washington D.C. under the direction of Molly Smith. He recently played Edward Rutledge in 1776 at the Goodspeed Opera House. Other credits include A FINE AND PRIVATE PLACE at the York Theatre Company across from Christiane Noll, and THE LIGHT IN THE PIAZZA at Lincoln Center , understudying the roles of Fabrizio and Giuseppe. Previously, he originated the role of Giuseppe in the regional productions of ...PIAZZA at the Goodman and Initman Theatres. Regional credits include JESUS CHRIST SUPERSTAR (North Carolina Theatre) PIRATES OF PENZANCE and JULIUS CEASAR (Utah Shakespeare Festival), THE ARK (Village Theatre), LIGIEA (Aspen Music Festival), A MICHIGAN MAN (Solo Show-On The Boards), and THE STUDENT PRINCE (Papermill Playhouse).

Concerts include The Kennedy Center, Lincoln Center's American Songbook (Casino Paradise), Symphony Space, NY Historical Society, Joe's Pub, Minetta Lane Theatre, and the Ars Nova Broadway Spotlight.

Mr. Allen is an Adjunct Acting Instructor at Collaborative Arts Project 21 (Cap21) in New York City. Training : MFA in Acting-University of Washington Professional Actor Training Program; BFA in Musical Theatre -University of Michigan; Interlochen IAC. Vocal Training: Arthur Levy, Mark Oswald, Julian Patrick, and George Shirley.

I believe that everyone has the ability to sing. I've worked with Tony-Award nominated singers such as Matthew Morrison (South Pacific, The Light in the Piazza) and Manoel Felciano (Sweeney Todd). I also personally study with one of the greatest voice teachers in the business. My classical singing background has taught me a diverse and comprehensive knowledge of the singing process and mastery of the technical elements of good singing: Breath support/control, agility, larnygeal stability, an engaged soft palate, use of the passaggio as it relates to vocal registers, singing vowels and their modifications, and good posture. I also use elements of the Alexander Technique to ensure that you are singing freely and efficiantly. I have a simple, practical approach to help each singer get out of their own way. Whether you are starting from scratch, preparing for an audtition, concert, or are working on a Broadway role, you will find that I will get yo u to do your best singing. I may not make you a great singer, but I'm certain that I can make you a better singer! I also have a strong background in acting and audition coaching which I bring elements of into each lesson.

I have a 24-Hour cancellation policy which includes the fee for a full lesson. Lessons are $115 per/hour including an accompanist. My accompanists are working muscicians and music directors who are currently working on Broadway.